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Today’s chefs are using neurogastronomy to change the way your brain perceives flavor
This Man Will Transform How You Eat
By Maria Konnikova
The light in the room softly brightened
and grew warmer, yellower, somehow more embracing. A quiet rustling—wind
through leaves?—reached my ears. A white mist covered the table, carrying with
it, somehow, the smell of damp earth after a late summer storm, and the promise
of the mushrooms which would bloom in its wake. At the center of my table: a
cylindrical terrarium-like enclosure filled with layers of soft green moss,
soil, and broken branches, complete with a miniature tree. A plate was silently
placed in front of me, or rather, a dark brown platform of what looked at first
to be sod (actually a mixture of beetroot and mushroom powder with truffle),
adorned with bursts of yellow pollen (a compact butter with truffle, root
vegetables, and salt), anchored by a crinkled log (potato-starch paper covered
in smoked salt, powdered mushroom, and porcini), punctuated by tiny green leaves
(fig leaves), and at the bottom, a thin layer of mushrooms (button, anchored by
a mushroom stock jelly). Beneath all this theatricality was an undeniably
delicious dish. Even today, I recall its flavor and think of these as the best
mushrooms I’ve ever eaten, though, in fact, I’ve consumed ones both more rare
and more expensive. A map, which serves as a sort of menu for the Fat Duck,
Heston Blumenthal’s three-starred Michelin restaurant in Bray, England—one of
only four in the country—described this dish as “damping through the
boroughgroves.” Presumably, no mome raths would be consumed.
It was mid-October, and the Fat Duck,
one of England’s best-known modernist restaurants, had just reopened after a
nine-month hiatus and a $3.6 million redesign and reconceptualization. “It was
time for a change,” the 49-year-old Blumenthal told me as we walked the
restaurant. Blumenthal—one of the leading chefs in the world, a constant
presence on global best-of culinary lists, and the host of several television
shows in England—is a towering figure in his chef’s whites and thick,
black-framed glasses, equal parts cook, linebacker, and fast-talking salesman.
It’s difficult not to get swept up in his exuberance. Of course it was
time for a change, and of course the changes were incredible.
“We’d been going so fast for so long that we couldn’t keep up with all of these
exciting advances happening outside the kitchen. It was time to rethink.” And
so, while a pop-up carried on the restaurant’s name in Melbourne, Australia,
Blumenthal and his team continued working, only instead of serving customers,
they invented new dishes, conducted experiments, and devoted themselves to
creating a dining experience on the frontier of gastronomic science, a place
where brain, body, and nutrition intersect.
The Fat Duck’s map wasn’t a menu in the
traditional sense. It offered few clues to each dish’s contents, and the dishes
themselves often appeared to be more Wonderland-like flights of whimsy than
actual food. I was treated to Mock Turtle’s soup (complete with the White
Rabbit’s gold watch); March Hare’s tea (the “itinerary” included with
Blumenthal’s map reads, for this dish: “Excuse me, there seems to be a rabbit
in my tea”); and a (literally) floating dessert concoction marked “counting
sheep.” Lewis Carroll served as an inspiration, Blumenthal said, a means to
stimulate the “fun” and “curiosity” that he feels should be part of any food
experience. But the intention behind the food was quite serious. Blumenthal was
trying to persuade people to engage with food in a fundamentally new way, one
that is both physiological and emotional. “It’s not just about the food,” he
said. “It’s the ebb and flow of the story, the look and feel of the room, the
temperature, all that.”
The Fat Duck is operated along the
principles of neurogastronomy, an emerging scientific field that examines how
our sense of taste is interpreted and reinterpreted by the brain. The term
itself was coined about a decade ago by Gordon Shepherd, a neurobiologist at
Yale, who has been studying the science of olfaction for more than half a
century. His research has shown that flavor, a complicated and
little-understood concept, does not originate in what we eat, but in what our
minds derive from the experience. “Our sensory and motor appreciation of what
we have in our mouth is created by the brain,” he said. “We can’t have
gastronomy without it.”
This is the overarching principle that
guides neurogastronomy: What we eat and why we eat it is as much a
psychological phenomenon as a physical one. Throughout most of history, eating
has been understood as a primitive human characteristic, an evolutionary
necessity, the stuff of base survival instinct. This perception turns out to be
far too simplistic. The more we learn about flavor, the more we realize just
how easy it is to manipulate. Not just by the overclocked sensations of
processed food, but in ways that makes healthier choices seem at once tastier
and more satisfying. Though most of us would like to think we have discerning palates,
our taste is quite easy to fool.
When we try to imagine the flavor of
something, we tend to focus on our mouth—the experience of placing, say, a
ripe strawberry on our tongue. But that, in fact, is taste, and though
we tend to conflate it with flavor, a vast chasm exists between the two.
Taste is an experience composed of only five elements: sweet, salty, bitter,
sour, and umami. Thousands of receptors on our tongue are designed to identify
and respond to these elements, each one specializing in one of the five
qualities. Without input from other senses—most notably our nose, but also our
eyes, ears, and even hands—taste is merely a flat, single-note sensation with
none of the nuance or enjoyment we associate with food in general and with
specific foods in particular. Flavor is at once a broader and more powerful property than
taste, one that marries the senses and their associate properties—memory,
experience, neurobiology—to create and control the way we eat.
The promise that neurogastronomy holds
is that once we understand how the mind combines the disparate biological and
evocative forces that create flavor, we will be able to circumvent the learned
and innate preferences of our taste buds. And with that capacity—truly an
example of mind over matter—instead of stimulating appetite via the
conventional and unhealthy trifecta of salt, sugar, and fat, we can employ the
neural pathways through which flavor is constructed in the brain to divert
attention to different, more nutritious foods. Control flavor and you control
what we eat—and perhaps, given time and more research, begin fighting the
global nutrition problems that are a direct result of the industrialized
production of food.
Our preferences for salt, sugar, and fat
evolved within the context of our species’ historical nutritional scarcity.
These basic tastes are the echoes of prehistoric signals that saw humanity
through epochs of less abundant food sources. They made sense when we were
hunter-gatherers eating only what we could kill; less so, when navigating the
line at the local Subway. Indeed, our basic physiological response to taste is
largely innate. Give an infant something sweet and she will lick it up. If it’s
bitter, she will spit it out. (Bitterness signals potential poison.) We learn to
like certain complex tastes over time, but our cravings for sweetness and
fattiness remain constant. And so, we continue to consume and store reserves
for a hard winter that, today, never comes.
Ivan de Araujo, a neuroscientist at Yale
Medical School who studies energy and reward in the brain, calls this the great
conundrum of humans and food. “Why do we tend to violate homeostasis and
equilibrium and eat more food than we need physiologically?” he asked me
recently. “Why is there a bias in getting more energy than you’re going to
expend?” The genetics of weight gain, psychological traits, and sensory
perception of food are informed by these questions. When we attempt to address
problems of global nutrition, we fight an uphill battle against the energy-craving
and storing machine that is the human body.
These signals, rooted in evolutionary
biology, have given rise to a paradox of malnourishment amid a global abundance
of food. In many countries, including England and the United States, poor diet
now rivals smoking as the greatest public health risk. Malnutrition does not
necessarily mean lack of food but, rather, lack of proper nutrients. You can
eat five meals a day and qualify as malnourished. (Case in point: Morgan
Spurlock’s near-lethal experiment in Supersize Me.) When it comes to
certain nutrients, in fact, an estimated 80 to 90 percent of obese individuals
are malnourished. (The same percentage holds for non-obese individuals.)
Globally, more than 600 million adults and 42 million children under the age of
five are obese. Alongside the rise in weight, we’ve seen a corresponding
increase in diabetes, heart disease, and a host of other diet-related problems.
In the United States, more than a quarter of the population suffers from some
form of metabolic syndrome or illness. Nutrition, in many ways, is the great
public health battle of our times.
It’s more than just the descent of man,
of course. Modern society often perceives of health and flavor as mutually
opposed. In England, I met Jozef Youssef, an energetic 34-year-old chef who
splits time between research collaborations with psychologists and running
Kitchen Theory, a London pop-up restaurant where he tests various scientific
findings on small groups of diners—including ways to make “healthy” and
“tasty” seem complementary rather than antagonistic. Youssef cited the example
of a green smoothie. “We see it and we think, it’s good for you but it’s
probably not enjoyable,” he said. “Why is that?” (This also works the opposite
way lately, as people have been questioning exactly how healthy the overpriced
green smoothies are at Whole Foods.) A study published this year in the Journal
of the Association for Consumer Research found that people tend to feel
less full and eat more after consuming a food they perceive as “healthy,” even
if it’s identical to one that is marked as unhealthy. For example, they will
feel hungrier after a “healthy” cookie—and go on to eat more overall.
In this way, evolution and socialization
are locked in unending conflict, nature and nurture conspiring to produce
ever-increasing consumption of less-than-ideal foods. And indeed, past efforts
to replace the salt-sugar-fat trifecta with healthier equivalents haven’t been
successful. Think margarine instead of butter, saccharin replacing sugar,
artificial polymers (macromolecules synthetically created in a lab) replacing
the fat content of milk or ice cream. It’s your low-fat frozen yogurt, diet
soda, the 100-calorie snack pack. The results, from a flavor perspective as
well as a dietary one, have been underwhelming. Instead of curbing obesity and
metabolic disorders, these innovations seem to have resulted in the opposite.
This may, of course, be correlation rather than causation, but still—and
perhaps worse—some of the substitute substances haven’t proven to be as
healthful as first suggested. Companies scrambled to scrub margarine from their
recipes after research showed that it was actually more harmful than the butter
it replaced, while recent work from people like Dana Small, a neuropsychologist
and physiologist at Yale, highlights the metabolically disruptive effects of
artificial sweeteners, even ones derived from natural substances, like Splenda.
What’s more, many (most? all?) low-fat
and low-sugar products don’t taste good, aren’t eaten as often as their sinful
counterparts, and end up a bust both nutritionally to the customer and
financially to the producer. And the consumption of the real thing keeps
rising. Sugar was first introduced to the Western palate via New Guinea about
10,000 years ago. By 1800, Americans were consuming an average of seven pounds
of the powder a year. Today, our consumption tops over 100 pounds. (By way of
comparison, we eat about 50 pounds of beef.) Though we are drinking less soda
than before—2012 production was 23 percent lower than a decade prior—people
are still taking in 30 gallons of regular soda per person each year, according
to New York University professor and public health advocate Marion Nestle. And
things like diet soda seem to have a reverse psychological effect: New research
suggests that tricking your brain into thinking it has consumed calories when
it hasn’t can, over time, have a host of negative metabolic consequences, as
the connection between the energy signal of sweetness and its actual energy
content decouples. And so, you consume more, and even worse, you want to
keep consuming more (the dreaded sweet tooth).
Why should neurogastronomy be different?
Why would it succeed where basic physiological nutrition has failed? Part of
the answer stems from the insight research has given into how, exactly, our
bodies derive energy and flavor signals from food via the brain. It’s not about
calories—that is, eliminating calories in the manner of artificial sweeteners
likely won’t work. Instead, it’s a far more complex process of taste
perception. It’s a growing understanding that psychology plays a more central
role in the experience of eating than previously thought, a realization that we
need to be fooling the brain, not the body.
In 1936, H. C. Moir, an analytic chemist
from Scotland, who had worked at a baked-goods factory, presented what may be
the earliest findings that show just how much our brain affects taste. He had
people eat incongruously colored jellies—green-colored orange, red-colored
lemon, and the like. He then had them taste chocolate-colored sponge cake, one
of which was imbued with cocoa and the other with vanilla. Only one person was
able to correctly identify each taste in the two tests—and over half got more
than 50 percent of the answers wrong. Some of the answers given for the orange
candy: almond, strawberry, black currant, and pineapple. For lemon: cherry,
raspberry, strawberry, damson. Some tasters thought the chocolate biscuit was
vanilla, and the vanilla, chocolate, while others volunteered coffee, orange,
or even unflavored.
“The majority of those who came below 50
percent went to great pains to assure me that they were considered by their
wives or mothers, or other intimates, to be unduly fastidious about their food,
and were invariably able to spot milk turning well in advance of any other
member of the household,” Moir wrote. “Consequently, it was obvious that the
method of testing was at fault, and not the palate being tested. Further, many
brought in a plea of individual idiosyncrasy in that they did not like table
jellies etc., but comparatively few made this plea before the test.”
When it comes to the caloric content of
food, our brains aren’t easily fooled. You can, it turns out, engineer all the
low-fat polymers and artificial sweeteners you want, but they will likely not
make us eat fewer calories or gain less weight: Our brain is too smart for
that. In one study, de Araujo genetically engineered a group of mice so that
they would no longer taste sweetness. The receptors that signal “sweet” to the
brain simply didn’t function. He found that though they started off indifferent
to sugar, the mice soon learned that when they were hungry, it was better to
consume a solution with sugar rather than one that was all water. They had no way
to distinguish the two from a sensory perspective—taste-wise, to them, they
were identical—but somehow, their brains learned where the energy source lay.
Soon, the rodents were consuming just as much sugar as non-modified animals. The
effect was completely absent with artificial sweeteners. In another study, de
Araujo followed up with a group of regular mice. This time, the mice were
offered two sweet solutions, one with sugar, and one with artificial sweetener.
The solution with the sweetener tasted sweeter—and so, one would think the
more attractive of the two. And indeed, for the first day, the mice
consistently drank the sweeter water. But then something happened: They began
to ignore the artificial sweetener and instead focused exclusively on the real
sugar solution. “Somehow the brain knows when something is purely sweet and
good-tasting versus when that good taste comes along with energy,” de Araujo
said. In other words, we have two separate systems that signal the value of
food. It’s not just about taste; it’s about how taste is incorporated into our
brain’s reward system. And artificial substitutes—ways of lowering calories
while keeping their sensory qualities—simply do not work. The brain isn’t
fooled. It knows real calories from the taste of calories.
Research like de Araujo’s doesn’t just
show us what won’t work: It suggests what might work instead. The deeper
understanding of sensory integrations gives an alternative approach to making
nutritional changes to the diet: Alter rather than substitute. Use real sugar,
real energy, real fats and salts and the whole gamut of flavor, but do so in
lower quantities, in a way that makes the result taste good and sends actual energy
signals to the brain, creating an experience that is both psychologically and
physically satisfying.
On my wander through the boroughgroves
at the Fat Duck, my dish wasn’t just a plate of food. It came with an abundance
of theatrical effects, all of which served specific functions: My hearing was
engaged—the crackle of the ground and rustle of leaves. My vision—not just
the beauty of the plate but the forest mist, the mini-terrarium, the variegated
effects of the lighting. (“Unique to each table,” Blumenthal pointed out. Each
diner’s lighting is calibrated depending on where she finds herself on her
journey at any given point.) My smell—both when I first inhale the earthiness
(via orthonasal smell, or what we typically think of as smell) and after I put
the first bite of the powdered-mushroom log into my mouth and exhale (by way of
retronasal smell, or, as Shepherd explained, “the smell that comes internally,
from behind, from our mouths into our nasal cavities”). My touch—the texture
of the smooth mushroom, contrasting with the roughness of the faux bark, the
crispness of the greens, the creaminess of the truffle butter. Even something I
don’t usually think of as a sense—my memory—combined to put me in mind of
memories of family walks through the woods. The idea is that due to the multisensory
pleasure of the experience, not only will I enjoy the dish more, but I will
feel more satiated after having eaten less. “When you first see it you think
this guy’s taking the piss,” said Francis McGlone, head of the Somatosensory
and Affective Neuroscience group at Liverpool John Moores University, and until
recently, head of the food neuroscience research group at Unilever. “There’s
nothing on the plate but these small portions. But you won’t leave the
restaurant hungry. Because there’s so much complexity, in terms of textures,
colors, tastes; it’s almost symphonic. You reach satiety faster.”
Fast food is so addictive because salt,
sugar, and fat never appear together in nature. Try to imagine a naturally
occurring food that is fatty, has high amounts of sugar, and is salty to boot
and you’ll come up short. And so, strongly reinforcing neural pathways that
were only ever meant to fire in isolation, to tell us that a food is worth
eating, now activate all at once, creating an enticing, addictive cascade that
is greater than the sum of its parts. In a sense, Blumenthal’s approach is
doing the same thing—only using complex psychological flavor rather than
purely physiological taste reinforcement.
“Damping through the boroughgroves,” the mushroom course at The Fat Duck.Courtesy FreudsOne basic approach to this focuses on
actual changes to the composition of food—ways of cooking different substances
that makes them taste sweeter, saltier, or spicier than they actually are. A
favorite of Blumenthal’s, which he has used successfully in the Fat Duck for
more than a decade, is a method called encapsulation, in which he presents a
flavor in a way that makes it seem far larger than it is. “If you think of a
cup of coffee made with one ground bean, that would be really insipid,”
Blumenthal suggested. But if you crunch a bean in your mouth, you suddenly have
a much stronger coffee flavor, even if the cup itself is quite weak. A single
whole bean can deliver a greater flavor punch than multiple beans that have
been ground and brewed. The same thing happens with a spice, like coriander.
Add a few seeds to a dish rather than grinding them, and suddenly, the flavor
becomes much more intense even though the overall quantity of coriander goes
down. “Every so often, your mouth crunches one, and there is an explosion of
flavor that makes it much more interesting,” Blumenthal said.
With an encapsulation approach—a few
strong bursts rather than dispersed flavor—Blumenthal has successfully reduced
the salt content of multiple dishes in his restaurants. The final taste
experience is just as salty overall, even though the amount of sodium has been
reduced. It’s a method that one could see playing out in mass-produced items,
including your beloved Doritos, fast-food fries, snack bars, cereals, even
packaged meals that rely on large doses of sodium to deliver post-frozen taste.
“You have fewer, larger grains of salt, and suddenly, you can deliver the same
flavor, but with less,” Blumenthal told me.
Barry Green, formerly at the Monell
Chemical Senses Center in Philadelphia and now at Yale, accomplishes something
similar through heat. A psychophysicist—someone who studies how physical
sensations get interpreted by the brain—Green has worked on the way the
thermal sensitivity of the mouth, that is, our perception of hot and cold, can affect
a food’s flavor. Temperature, and specifically, temperature change, can
influence how sweet we think something is. Fifteen years ago, while Green was
working at Monell, a University of Michigan study found that some of the taste fibers
(specialized nerve cells) in the chorda tympani nerve, one of the three cranial
nerves responsible for sending taste sensations to the brain, were sensitive to
temperature. The nerves responded to warm liquids much as they did to sweetness—even
when there was no sugar present.
In a later study, Green called this
phenomenon “thermal taste”: temperature that evokes a flavor. We have fibers
that get excited when we warm them up, which might make a food or liquid taste
sweeter than its sugar content warrants. One way to think about it is to
picture yourself licking an ice-cream cone. The initial cold taste isn’t nearly
as sweet as the flavor of the warmed ice cream once it’s back in your mouth.
That finding has immediate implications for a multitude of foods. One easy way
to get a sweet kick: Take sodas, juices, fruit, and whatever else out of the
refrigerator.
One of Blumenthal’s signature dishes at
the Fat Duck is a rabbit “tea”—actually a velouté of rabbit—that is both hot
and cold. A specially engineered gel keeps the two sides separate until poured.
The result is disorienting: Your tongue is hot and cold at the same time. The
flavor is intense, the pleasure, surprising—and the relatively lower levels of
seasoning needed to deliver a flavorful experience perhaps most surprising of
all.
While it’s difficult to imagine the
packaged food equivalent of dual-temperature tea, the same effect, Green
pointed out, can be attained by warming something that is cold or by cooling
the tongue itself so that the same food tastes relatively warmer. Two things
happen physiologically when the sensation of either warming or cooling hits the
tongue. In the first case, sweetness increases, while in the second, the
perception of saltiness becomes more intense. In 2010, Campbell’s Soup had
something of a PR disaster when it announced that it had lowered the sodium
content of its soups. Customers protested that the reformulated versions didn’t
taste as good, and sales fell. Yet imagine the exact same reformulation, but
with the introduction of, say, a chilled soup like gazpacho. The cooling would
create an enhanced salty flavor, and the soup might replace less healthful
alternatives. Knowing some of the thermal principles involved in flavor
perception may enable Campbell’s to create tweaks not just there, but to its hot
soups, in ways that reduce sugar and salt but enhance flavor.
Another, potentially broader area of
experimentation comes from olfaction. Our brains form associations between
smells and tastes that, in turn, affect both how much we like a certain food
and our bodies’ anticipated response to it (how our brain prepares the rest of
the system for the calories it thinks it’s going to consume). Those
associations can then be used to trigger the reward system even when the
perceived reward is smaller than the actual one. Take vanilla. Vanilla isn’t
actually sweet. It’s quite bitter. But in the Western world, we have come to
associate it with sweet foods, and so, to us, it signals sweetness. When we
smell it, our sweet receptors go on high alert—and the food we eat tastes
sweeter than it otherwise would.
I have to imagine that some of the
pungency and sheer fungal intensity of my mushroom dish comes from the
olfactory tricks that punctuated it. The fog that spread over the table wasn’t
just visual: It spread the scent of the moss. Throughout the meal, I could tell
without looking when another table had gotten to this particular point in the
dinner. The scent heralded its arrival better than anything else could. The
mushroom powder on the plate further reinforced and carried the scent, so that
by the time I took a bite, all my taste buds were primed for the resulting
flavor. A few weeks later, Blumenthal told me he still wasn’t completely happy
with the dish. “We’re still working on creating the perfect smell of the
woods,” he said.
Part of my pleasure from the mushroom
dish doubtless derived from the childhood associations I carry with its taste—mushroom
picking with my grandfather, cooking up big skillets of freshly gathered
mushrooms and onions in the early fall with the whole family. (We’re Russians,
after all.) But to someone for whom that affinity is absent, or even reversed,
the techniques could have detracted from rather than enhanced the experience,
by concentrating the flavor so intensely. Likewise, to a non-Western palate,
even something that seems as straightforward as Blumenthal’s proposed vanilla
addition might backfire. Some Japanese pickled foods contain an almond-like
aroma, for example, while sweet almond desserts are mostly absent. The
implication here is that taste-smell associations—and the resulting
preferences in food—can be changed from experience. Yes, some taste is innate,
but the way we perceive it psychologically is a learned process, one that
starts in the womb. In one study, newborns whose mothers had eaten food with
anise during pregnancy enjoyed its scent more than those with mothers who had
not. Children of mothers who drank milk flavored with carrots while pregnant
were more likely to eat carrots. Adults, unlike children, are far better
positioned to make mindful food choices. The fact that associations between
basic tastes and non-basic smells develop so early could become a powerful way
to subtly change preferences along more nutritious lines.
In the 1970s, UCLA psychologist Eric Holman
discovered that certain sweetened substances could make rodents prefer certain
foods by virtue of their presence. For instance, by adding a saccharin to
either a banana- or almond-flavored solution, he was able to make rats prefer
the taste of bananas or almonds, respectively, a process known as “flavor
nutrient conditioning.” In recent years, that work has been picked up with
humans. Maltodextrin, a glucose polymer, is imperceptible to most of us. It
doesn’t taste sweet. In fact, it doesn’t taste like anything. For it to
activate the sweet receptors in the brain, the body must first break it down
into glucose. If we mix it into another food, we don’t realize there’s a sugar
present, but we still develop a preference for that flavor. In one study, people
who tasted foods with maltodextrin mixed in would reliably choose the flavor
that had been associated with the polymer in subsequent tests. They had been
trained to prefer one food over another by a sort of sensory trickery. Imagine
dusting a child’s broccoli florets with maltodextrin and transforming a
disliked vegetable into a favorite. Ethically questionable, yes. But also
potentially quite effective at nudging children toward healthier choices at a
sensitive period in life when many such choices are first formed. The end
result would be a society that makes better, more nutritious choices without
seeing them as a necessary evil or sensory trade-off. Broccoli would be a
preferred taste, a food you choose because you’ve learned to enjoy it and find
it inherently rewarding. When you went to reach for a snack, a broccoli crisp
would be just as, if not more, enticing as a potato chip. “If we can find out
how to do that on a large scale,” de Araujo told me, “we could completely
change diet.”
The sneaky additive approach, though, is
not one favored by chefs like Blumenthal. “We have enough naturally occurring
flavors that we don’t do enough to exploit,” he told me. “Like MSG. It’s an old
wives’ tale that it’s bad for you. It occurs naturally all the time. Tomatoes.
Parmesan. Shiitake. Seaweed.” We can use natural properties to create flavor
profiles that are apparent—and make other foods enjoyable by sheer
association. It’s an approach that stems from stimulating other tastes that may
then make a food more pleasurable by proxy. In addition to studying heat, Barry
Green has worked with flavors that could have a similar effect, namely, menthol
and capsaicin. The former gives the sensation of cooling your tongue. The
latter, found in peppers, warms it up. In so doing, it stimulates the pain
system—but in a way that can be pleasurable. Could the addition of foods that
work on different neural channels from sweetness and saltiness but that
stimulate the somatosensory system just as strongly help reduce the need for things
like sugar and salt? “Obviously, chili pepper has become a huge part of the
American diet,” Green said. “I’d love to see how that channel of input could be
utilized to increase flavor when you’re decreasing things like salt and
sweetness … using spice so you don’t have to have a chip that’s as salty, for
instance.”
In Blumenthal’s kitchen, such approaches
are evident in dishes like the Mock Turtle’s soup from the Mad Hatter’s tea
party. A faux-gold watch made from gold leaf covering the equivalent of a beef
and oxtail bouillon cube is placed into a teapot of water, only to dissolve
into beef and oxtail stock, which is then poured over an “egg” that is actually
made of rutabaga and turnip, and also flavored with mustard seeds and pickled
cucumbers. The combination of spice, from both the mustard and the pickling,
make the oft-ignored tubers—not many people crave rutabaga—shine in a new
light, with a complexity of flavor not associated with the uniform blandness of
root vegetables. “We really undervalue spice,” Blumenthal said. “But used the
right way, it’s eye-opening.”
The wine in the Fat Duck’s second-floor
wine cave is hidden behind a faux bookshelf. The bottles are accessible only if
you know the proper title to tip off the shelves—part of the ethos of playful
curiosity and discovery that permeates the whole restaurant. On the day I
visited, the room was empty but for a small round table in the center. It was
covered with a white tablecloth and several identical-looking glasses of wine,
some white, some red. Blumenthal was running several experiments based in part
on the research of Oxford psychologist Charles Spence, the first of which
involved the links between dexterity and taste. Isa Bal, the Fat Duck’s
sommelier, a dapper-looking man in a dark suit, instructed me to pick up a
glass of white wine and take a sip.
“What does it taste like?” he asked.
“Smooth,” I replied. “A bit buttery?”
“Now pick it up with your left hand.”
(I’m right-handed.)
I drank again, and it was like a
different wine: sharper, crisper, more acidic. One explanation for this lies in
the neural wiring of the dominant versus secondary hand. Our dominant hand is
more fluent, which means the signals from it are processed more easily. If the
results were strong enough, one might expect future dinners at the Fat Duck to
include non-traditionally placed glass and silverware—and wait staff who
instruct guests on the proper hand with which to try a certain dish or drink.
It’s not a stretch to imagine such instructions appearing on food packaging:
Tear open with your right hand and dig in with your left for maximal pop—or
make sure to hold with your right hand for the fullest buttery feel.
Sound of the Sea is served with a iPod hidden in a shell that emits sea sounds while you eatDominic Davies from The Big Fat Duck Cookbook Published by Bloomsbury (2008)Next, Isa played a series of musical
tracks and had me taste wine against different songs. And indeed, with each
track the taste changed. Alongside one, the white was greener, more
effervescent. Along another, smoother. The music played in the Fat Duck’s
dining room has been carefully chosen to match the sensory characteristics each
dish is meant to convey. The “Sound of the Sea”—an ethereal plate of mackerel,
octopus, and king fish covered in a rich seaweed foam and arrayed on a
sand-strewn beach (the sand is made from tapioca and miso oil)—was presented
with headphones that snaked their way out of a conch shell. An iPod was hidden
inside, playing a collection of surf, waves, seagulls, and beach sounds.
Did the music add anything, or was it
more theater in an already theatrical meal? In a series of studies to test
that, Blumenthal and several collaborators had Ph.D. students eat a similar
dish, listening to either barnyard or seashore sounds. They rated their
enjoyment levels up to 90 percent higher with the sea soundtrack. I got another
taste, so to speak, of the same phenomenon when I took part in some of the
ongoing studies at Spence’s cross-modal laboratory at Oxford. A candy bar
tasted sweeter alongside a piano; a jelly, more sour alongside brass. “Music
changes the sensory and hedonic experience,” Janice Wang, Spence’s graduate
student in charge of the experiment, explained. “The olfactory nerve is partly
connected to the auditory—and the more we learn about how the senses are
wired, the more we can change the experience by changing the auditory
environment.”
A little more than a year ago, the
Cadbury chocolate company changed the shape of one of its bars from rectangular
to round. “People complained about it being sweeter,” Spence said. This was, in
one sense, a marketing error—but it was also a missed opportunity. Could
Cadbury’s not have reduced sugar at the same time, thereby rendering the
reduction imperceptible, and thus creating a healthier candy bar? “Reducing the
ingredient by some amount and changing packaging to make it neutral in the
consumer’s perception is a very real goal,” Spence said. Other studies show
that heavier cutlery or packaging makes a food taste better, that certain
colors and contrasts can make it taste sweeter, saltier, smoother, more bitter,
more sour, even that the language we use to describe it can make a difference
in how it’s perceived. One can easily imagine that part of the appeal of Mast
Brothers chocolate was in the packaging: What they lacked in flavor they more
than made up for in artisanal-seeming wrapping. Perhaps this was also one of
the reasons the blowback against them was so harsh. People felt deceived, as,
in a sense, they were. No matter how much we learn about
neurogastronomy, though, a disconnect between what’s possible and what can
actually be accomplished will doubtless remain. Not everyone will be happy that
the sugar content of their chocolate bar has been lowered. “Innovation is
really slow in food companies. It’s really difficult to get things done,”
Spence told me.
Heston BlumenthalAlisa Connan/Courtesy FreudsAbout ten years ago, Francis McGlone
attempted to bring Blumenthal into Unilever, a leader in the world of FMCG, or
fast-moving consumer goods, as a consultant. He felt the company would benefit
immensely from the chef’s creativity. The collaboration went nowhere. “No one
could agree who controlled the intellectual property,” McGlone said. “They
wanted to nail him down to contain his creativity in ways he couldn’t accept.
It was a missed opportunity.” He paused. “It’s very difficult to change the way
these large companies go about what they do.” Theoretically, they may be intrigued
by Blumenthal’s innovations, by his use of the latest science to craft ways to
eat more healthfully. But practically, they are beholden to their shareholders.
The tolerance for risk and acceptance of failure that marks the Fat Duck’s
experimentations—new dishes are the result of many spectacular mishaps in the
test kitchen—are unacceptable from their perspective.
And yet the mandate from consumers seems
to be changing in a way that may force large corporations to rethink their
approach. Companies respond to consumer pressure. What matters is what people
want as expressed by what they will buy. Food manufacturers aren’t our parents,
nor are they our doctors. They care about profit, not health. But their profit
is dependent on shifting preferences and demands. The mass production of the
1960s and 1970s was about the demand for convenience, freeing the housewife
from the slavery of cooking. And from that demand came the packaged foods and
snacks that fill grocery stores today. But increasingly, consumers are
demanding more than simple convenience. They want health, too. Doug Rauch, the
former president of Trader Joe’s, just opened a new store, Daily Table, that he
hopes will grow from a single location in Boston to a national chain of
supermarkets. It aims to sell nutritious food at the price point of fast food.
Bananas for 29 cents per pound. A dozen eggs for 99 cents. PepsiCo has just
announced a new vending machine initiative, to be rolled out to several
thousand locations in 2016, which will offer healthier snack options than the
traditional soda and chips—Naked Juice, Quaker bars, Sabra hummus cups, and
the like. And interest in the frontiers of nutrition science has risen apace.
“People don’t do anything until somebody else does it, then they all want to do
it,” Spence said with a laugh. “I had three companies on the phone today. It’s
been an explosive growth in interest. And my colleagues working in this space
would say the same.”
One initiative, with the University of
Barcelona and the Alícia Foundation, a research center helmed by Ferran Adria,
the chef of the now-closed El Bulli restaurant, focuses on improving nutrition
and recovery for children with cancer. Most common treatments, including
chemotherapy, create an eating experience in which food takes on a metallic,
ungainly taste. Unlike adults, who can override such unpleasant inputs with the
knowledge that they have to eat to get better, children will often refuse food
altogether rather than consume something they don’t like. This team of chefs
and scientists hope to use the new understanding of the brain’s sensory
integration of taste to create foods that would override that aversion, either
by changing the perception of the taste or its seeming desirability. “The
evidence that we can improve consumption is quite good,” Spence, who consulted
on the project, told me. “And a lot of hospitals and end-of-life care are now
engaged in sensory design related to food. It’s an important investment.”
Blumenthal told me of a recent project
he collaborated on with the National Health Service at the Royal Berkshire
Hospital to improve nutrition among the elderly. As we age, our sense of smell
dampens—loss of smell sensitivity is one of the earliest signs of dementia—and
our desire for healthier foods, along with it. There’s a reason your
grandmother douses everything in salt and prefers simple, strong fat-sugar-salt
combinations. But something else rises with age: the risk of cardiovascular
disease. And so, ways of enhancing flavor that don’t necessitate huge
quantities of condiments and fats could go a long way toward easing the aging
transition. “We wanted to get the elderly excited about food again,” Blumenthal
said. “And I’m hopeful that it can be done well.”
Chefs like Blumenthal are an important
first step in the advancement of neurogastronomy. But to realize the full
health and nutritional potential of this science, we will need to go much
further than test kitchens and high-end dining rooms. Neurogastronomy must be
incorporated into mainstream consumption. “It’s like Formula 1 racing,” McGlone
said. “The car is the pinnacle of advanced technology. The efficiency and
safety of these engines are at the most advanced. But in three, four years, it
appears in the average car.” The same could be said of neurogastronomical
innovation. “It will ultimately become part of the standard. It will be an
advanced use of the technology that will ultimately trickle down into the
standard food product.” The fact that why we eat what we eat originates in the
mind rather than the palate is a powerful one. Properly harnessed, it could
prove to be the key to succeeding where so many other nutritional interventions
have failed.
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